ANATOMIST has been writing and performing his own brand of distorted break-dub and sprained melodies since the late 90s. Mile-wide bass lines, brittle percussion and drunken beats combine with found sounds and multi-layered distortion to disorienting effect.
The new LP ‘Ingrate’ is officially released July 2009 but will also be available from www.peoplesmusicstore.com two weeks earlier as part of an exclusive promotion.
November 2006 brought the long-awaited follow-up to ANATOMIST's 2004 Material
Witness EP and debut album, Violence Is Its own Reward.
The brand new tracks on In Fading Light saw the varied style of that earlier
album reach full maturity, with spectacular results. Where Violence delighted
in switching genre and style, the new tracks sat effortlessly in their own
space, defining ANATOMIST's unique sound.
Over five tracks and more than half an hour's listening, trademark floor-shaking
basslines, stripped down post-breakbeat rhythms, a hint of the new London
sound - this new material established acts from Highpoint Lowlife such as
Bovaflux and RandomNumber as kindred spirits - all emerge with a rare consistency
of vision. Here's one to watch.
A new EP is due for digital release later this year, The Dirt Famous EP
(previews to the left) and a full album in the pipeline...
All of ANATOMIST'S releases are available to buy on bleep.com, Peoplesmusicstore.com,
Rough Trade Digital or can be previewed in full at last.fm
Neil has also released material as METAHEAD (with techno DJ Paul Scheeres)
on the 'Dim Apathi/No Apathy' compilation (Honk: Album of the Month, 'the
cutting edge of the scene' | Western Mail: 'plenty to amuse and intrigue'
| Buzz Magazine: 'untapped mine of quality music'), has created dark soundtracks
for the performance ensemble 'Infernal Triangle' at the ICA, London and
has composed the soundtracks for several short films including 'Yo Yo Bubblegum'
and 'Trailerpark'.
He does not mention the aerobics video soundtrack.
REVIEWS FOR MATERIAL WITNESS EP RADIO 1: 'It says here that South Wales
electro-funk producer Anatomist has been shaping sine waves and tweaking
filters on the cutting-edge of the electronica underground since the late-'90s,
which would explain why his half of a new split album on Cardiffs Machine
Records sounds so accomplished: a collection of tracks with the propulsive,
bouncy energy of big beat, but the crunchy digital edge sported by pretty
much any experimental electronica act worth their salt. Catch him live playing
at Machine Records' monthly residency at Journeys in Clifton Street, Cardiff.'
BUZZ MAGAZINE: 'More quality budget bass'n' breaks from Cardiff's number
one underground electronics imprint. Superimpozer, from London, and Cardiff's
Anatomist get six and five tracks respectively on their split CD, and make
good with their edgy ambience, clatterbeat drum damage and homebaked techno.
Superimpozer, especially, is a talent worthy of investigation by more labels,
and soon.'
SMALLFISH RECORDS "machine.records are turning out to be a very interesting
little label indeed. This SPLIT EP from the two named artists starts off
deep, dark, beaty and electronic and soon becomes a more twisted, manipulated
sound over the course of the CD. Crispy rhythms and crunchy noises are the
order of the day. Anyone into SCHEMATIC etc. should definitely check these
releases out."
REVIEWS FOR VIOLENCE IS ITS OWN REWARD machine.records tenth release, Violence
Is Its Own Reward, is the debut album from Cardiffs Anatomist, previously
heard on the 5-track Material Witness EP released in February of this year.
With 12 new tracks clocking in at almost 80 minutes, Violence Is Its Own
Reward juxtaposes twisted breakfunk and decaying digital melodies to reveal
a unique, cut-throat sound. Anatomists schizophrenic approach to leftfield
electronica by turns wistfully melodic and abrasive reflects diverse influences
ranging from the blues/soul singer Ted Hawkins to the sound-mangling techno
of Surgeon and a misspent youth at 80s acid house raves.